‘ Nothing is more revealing than movement ‘
- Martha Graham
The gathering of birds, and other animals alike, moving in groups as one.
Their movement uncontrolled, yet feels like breathing in and out and looks like a well choreographed dance..
They form bold silhouettes together and become a compact solid, only to fall apart in transparency in many different directions without ever touching.
Techniques inspired on many unities forming one silhouette, like tactile 3 dimensional hand knits, together with animalistic trades like
Split paws, open slits on joints, so movement of a shoulder blade is accentuated when in movement. Gold earpieces accentuating the ear itself, and shiny tight arms, contrasted next to rough or woolly textures.
Prints inspired by organic shapes like a flock of birds, hand woven fabrics that where woven with 6 different yarns that work together to create certain textures, in a way that the print becomes 3 dimensional, after adding heat. As a reference to animal skin..
‘ The movement of so many different entities in this specific way, while becoming one all together is fascinating to me..., and so became the essence of this collection. ‘
-Esther Louise Dorhout Mees
‘ Nothing is more revealing than movement ‘
- Martha Graham
The gathering of birds, and other animals alike, moving in groups as one.
Their movement uncontrolled, yet feels like breathing in and out and looks like a well choreographed dance..
They form bold silhouettes together and become a compact solid, only to fall apart in transparency in many different directions without ever touching.
Techniques inspired on many unities forming one silhouette, like tactile 3 dimensional hand knits, together with animalistic trades like
Split paws, open slits on joints, so movement of a shoulder blade is accentuated when in movement. Gold earpieces accentuating the ear itself, and shiny tight arms, contrasted next to rough or woolly textures.
Prints inspired by organic shapes like a flock of birds, hand woven fabrics that where woven with 6 different yarns that work together to create certain textures, in a way that the print becomes 3 dimensional, after adding heat. As a reference to animal skin..
‘ The movement of so many different entities in this specific way, while becoming one all together is fascinating to me..., and so became the essence of this collection. ‘
-Esther Louise Dorhout Mees
Catwalk photos | Team Peter Stigter
Editorial | Jacob van Rozelaar
Models | Hanna & Amy VDM Models
Hair | Hester Wernert
MUA | Lydia Le Loux
Fashion Film by DORHOUT MEES
Director | Esther Dorhout Mees
DOP | Max Maloney
Producer | Esther Dorhout Mees, Bernou van der Ent, Elsbeth van Nieuwenhuise
Focus Puller | Justus Engelbracht
Ass. DOP | Amit Kumar
Gaffer | Joris Hetsen
Lighting Ass. | Henry Rodgers, Brian van Dijk, Willem Groen
Crane Driver | Jasper Dirkse
Hair Stylist | Hester Wernert
MUA | Lydia Le Loux
Editor | Wouter van Luijn
Music & Sound Design | Guido Maat
Colorist | Rachel Stone
VFX | The Darlings
Location | SUGAR CITY
Models | Evelyne Scheffers, Femke Elsinga
Special Thanks | Wella, Balmain, Mac Cosmetics, Essie
Sclera Lenses, Saton Optiek, Quickhedge,Kwekerij Heinen, Tammevogels.nl, Barbara van Schaijk
